Showing posts with label In Search of the Unknown. Show all posts
Showing posts with label In Search of the Unknown. Show all posts

Saturday, December 8, 2018

Gamer ADD: Map for B1B2T1

So, my brain won't let go of the idea to place those great introductory TSR modules B1, B2 and T1 all on the same map. Despite the fact that Gygax gives a very detailed description for the location of the Village of Hommlet, placing it in Greyhawk, I have no real desire to use TSR's first flagship campaign world. For one, while the location works great for T1, there really is no place to put the locations of B1 and B2 to my satisfaction. Secondly, I am far more of a Judges Guild kinda guy, and the freedom I have to mess with the Wilderlands is exactly the sorta thing one needs for a project like this.

Thus, I ended up using about 20 or so hexes from Campaign Map Two, aka Barbarian Altanis. BTW if you haven't picked up Rob Conley's colored maps of the Wilderlands, do yourself a favor and get them.

There are several reasons I chose this location:

  • Rogahn and Zelligar (see B1) fought off a barbarian horde, which can now be understood to be Altanians.
  • There is an unnamed castle up the coast (and off the map below) that is led by a 7th level Lawful Good Cleric. Since we need a place from whence the followers of St. Cuthbert led a crusade against the ToEE, this castle makes a nice stand-in for Verbobonc. 
  • There is a Dwarven village (Kolda) at the foot of the Ered Perack Mountains that can nicely serve as the warning sign that humanoid activity in the Cave of Chaos has come to a head. The town has been overrun and Dwarven refugees will be a source of information both in the Village of Hommlet and the Keep.
  • There is both a keep and a village in close proximity on the map that lend themselves very nicely to be the location of Hommlet and the Keep.
  • There is a swampy patch of land with lends itself to the Mound of the Lizard Men from B2 as well as a place to locate the Moathouse from T1.
  • South of the map below, there is a lair of Owlbears, justifying the inclusion of the Owlbear in Cave G.
  • The name Fogbound Forest just seems a great place to put Quasqueton.
  • Finally, there are a bunch of hills at the foot of the Ered Perack Mountains which allow for the Caves of Chaos to be spread out in a more realistic manner.

Here is the map:

Key:
1 = The Mound of the Lizardmen (B2)
2 = The Spider's Lair (B2)
3 = The Bandit Camp (B2): These would be a rival gang that was not willing to work for the evil cleric Lareth from the Moathouse in T1
4 = The Mad Hermit (B2)
5 = The Cave of the Unknown (B2): Meant to be utilized by a newbie DM to create their own dungeon, this Cave is intended to serve the same purpose with one twist — the Dwarves of Kolda knew of and began to explore this place before abandoning the project due to what was down there.
A = Cave A: Kobolds
B = Cave B: Orcs
C = Cave C: Orcs
D = Cave D: Goblins
E = Cave E: Ogre
F = Cave F: Hobgoblins
G = Cave G: Shunned Cavern
H = Cave H: Bugbears
I = Cave I: Minotaur
J = Cave J: Knolls
K = Cave K: Shrine of Evil Chaos
Q = Quasqueton (B1)

Tuesday, December 4, 2018

Gamer ADD: Re-Skinning Quasqueton

So, Into the Borderlands, published by Goodman Games, arrived in my mailbox yesterday. It is a late-arriving birthday gift and, boy howdy, is my inner gamer all kinds of distracted. For those not familiar, Into the Borderlands is a lovely little piece of gaming history which compiles the Holmes-era and Moldvay-era editions of both B1 and B2. In addition, there are some essays by various luminaries of the gaming world, three different exercises in stocking B1, and a 5e update of both modules.

Of the essays I have managed to read (the rest of the book is very distracting, so please excuse my inattentiveness to the introductory material), the thrust is that these two modules stand as the gateway to not only as the starting point for many a campaign, but how to play the game of D&D for an entire generation of gamers.

Although my copy of the Homles Basic Edition Box came with the mono-chromed cover version of B1, and I certainly spent a lot of time looking through its pages, the sentiments expressed in these essays do not really apply to me. I have never used either B1 or B2 in any campaign I have run nor have I ever gone through them as a player. I learned how to play the game from older players who were willing to put up with me, because I was a slow reader when I was young and all of D&D's text was over my head for a number of years to come.

As long-time readers of this blog know, the one module that stands out in my playing experience is T1:The Village of Hommlet. I have used it a number of times as the starting place for a campaign. I have re-imagined it in all kinds of different scenarios and it still is my favorite TSR-era module. This is in part because, not despite the fact, that we never really got the Temple of Elemental Evil until years after the fact and the one we got fell way below expectations. Again, long-time readers will be well familiar with my various escapades and creating my own version of ToEE.

Thus, as I have been thumbing through Into the Borderlands, my Gamer ADD is going off like crazy because my inner gamer is desperate to throw together a campaign that marries B1, B2 and T1 in a crazy homage to the best beginner TSR modules of all-time. It was when I was perusing the various takes on stocking B1 that this inner chaos found its voice and it said:
Why not re-skin Quasqueton as the Temple of Elemental Evil?
It makes a twisted kind of sense. The two builders of B1’s dungeon were Chaotic, the place has some wonderfully weird rooms that can be re-skinned with elemental clothing and it would take a mere hand wave to explain its abandonment with the crusades of the followers of St. Cuthbert. One could also re-skin the Shrine of Evil Chaos in the Caves of Chaos as a fall-back position by the survivors of the cult and the Boathouse from T1 could still stand in as a forward position by the Cult as they seek to re-establish themselves after licking their wounds.

To boot, there is nothing that is preventing me from placing higher HD creatures with an elemental twist within all those lovely blank spaces between the covers of B1.

Saturday, November 20, 2010

Saintly Saturday: St. Cuthbert

As you may have noticed, my output on this blog has been seriously lagging of late. Not that I am finding myself any less enthusiastic about this hobby or things that go on in the OSR. The time that I have had available for my hobby in the last couple of months has been short and I have simply chosen to use it for actual play rather than musing. It has been rather startling to discover how time consuming musing can be, especially when one doesn't have something rather specific to muse about.

To this end I've been thinking — there are a number of blogs out there that have regular features that keep me coming back. A really good example is Grognardia. James has three regular types of posts: Open Friday, Retrospectives and Pulp Fantasy Library. It should be no surprise, then, that James has given me the inspiration for a type of regular post, which Blood of Prokopius has thus far lacked.

Petty Gods has garnered a lot of attention and enthusiasm. Though not exactly my cup of tea, even I ventured to submit something (a saint rather than a god). It occurred to me that hagiographies could be a wealth of information for campaigns, character ideas and adventure ideas. Since Orthodoxy commemorates the dead on Saturdays, it seemed appropriate for the one day a week that I could challenge myself to write. For those of you out there that doubt my premise, I wish to begin with a saint that has long been embraced by our hobby:

St. Cuthbert

Personally, I first encountered St. Cuthbert in B1: In Search of the Unknown, where he is mentioned in passing in the list of potential characters at the back with the cleric Tassit, the Servant of St. Cuthbert. The saint is also mentioned in Supplement 3: Eldritch Wizardry via the artifact the Mace of Cuthbert as well as in T1: The Village of Hommlet via the local church which is dedicated to him. I personally find it very interesting that T1 actually portrays a reasonable facsimile of a fantasy Christian setting. Hommlet is a mixture of those who follow the new religion (Christianity) and those who still cling to the old religion (nature-based paganism). Both are threatened by demon-worshipping members of the Temple of Elemental Evil. In fact, this is one of the reasons it is one of my favorite modules to this day.

To my knowledge, St. Cuthbert does not make the transition to being a "lesser god" until around 1983 with the publication of the World of Greyhawk 2nd Edition. He is described there as:
a stout, red-faced man, with a drooping white mustache and flowing white hair. He wears magicked plate mail. Atop his helmet is a crumpled hat, and a starburst of rubies set in platinum hangs on his chest...[He] hates evil but his major interest is in law and order and the dual work of conversion and prevention of back-sliding by "true believers."
In reality, St. Cuthbert was a 7th century hermit and a monastic who eventually became the bishop of Lindisfarne, also known as the Holy Island. When he died, his relics remained incorrupt and were the source of countless miracles. He is known as the Wonderworker of Britain.

The aspect of St. Cuthbert that I find most useful for a fantasy RPG campaign is the context within which he lived. Lindesfarne historically functioned in much the same way as the Keep on the Borderland.

Britain was conquered by Rome in AD 41. Christianity followed shortly thereafter — it was so well established, in fact, that there were British bishops at the First Ecumenical Council in AD 325. Rome abandoned its British colonies around AD 410. Shortly thereafter, pagan Goths invaded and conquered much of the island. Lindesfarne was the beachhead of the second wave of Christianity, trying to reclaim lost territory for civilization (where civilization is understood as Christian Rome and its successors).

In other words, T1 need not be tied to Greyhawk, but could very well take place in a fantasy version of 8th century Britain.